FANTASY FEEDBACK Film Festival – Thursday July 27th. 7pm. Carlton Cinemas

Our home is The Carlton Cinemas, located in the heart of downtown Toronto at 20 Carlton Street. The event runs from 7pm to 9:10pm.

Continuing to showcase the best of short films from around the world, while maintaining our audience feedback format moderated by Amanda Lomonaco. Showcasing a festival twice a month in 2017!

Tickets for 2017 are PAY WHAT YOU LIKE. Purchase your tickets online via Paypal or Credit Card. Tickets are first come first serve.

If you like to obtain seats in advance and pick them up on the day of the event (come for FREE, or make a donation), please email us attickets@wildsound.ca and we’ll reserve seats for you.

You can pick up the tickets on the day of the event at the cinema. Tickets are first come, first serve. This festival has sold out 58 out of its last 60 events!

You will be able to buy alcohol (beer, wine, liquor), popcorn, candy, and refreshments before the show.

Here is the full program of films. Festival starts at 7pm sharp!

FIRST ACT PROGRAM


ECSTASY BOULEVARD, 5min, USA, Fantasy/Sci-Fi
Directed by Benjamin Allen

When an illegal alien lands his spacecraft on Earth, the assassin known as Kn1ght powers up to hunt the reptile down.

CLICK HERE – and see full info and more pics of the film!

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A MONSTER CALLED CHARLES, 15min, UK, Fantasy/Drama
Directed by Richard Paris Wilson

The story of a Boy who lives in a caravan park with his Mother, and a Monster who lives in a nearby woods…

CLICK HERE – and see full info and more pics of the film!

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SUICIDE NOTE, 5min, UK, Fantasy/Thriller
Directed by Marina Waltz

A surrealist meditation on the many self-inflicted deaths of identity we must courageously endure in order to attain a more complete understanding of who we are.

CLICK HERE – and see full info and more pics of the film!

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REAL ARTISTS, 12min, USA, Fantasy/Drama
Directed by Cameo Wood

Real Artists, a dark tale set in the near future, is based on Ken Liu’s short story of the same name. Sophia just scored every animator’s dream interview at world famous Semaphore Animation Studios. But when the Creative Director, Anne Palladon, reveals that she knows about Sophia’s fan-edit of Semaphore’s hit film Mythos, Sophia sees her dreams begin to slip away.

CLICK HERE – and see full info and more pics of the film!

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SECOND ACT PROGRAM


TYSVAER WARS – A STAR WARS STORY, 4min, Norway, Comedy/Action
Directed by Erlend Bjelland

A heartbroken Star Wars fan escapes into his own fairy tale.

CLICK HERE – and see full info and more pics of the film!

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STAR WARS: TRIALS, 5min, USA, Action/Adventure
Directed by Jeremy Garcia

Rowan awakes in the dark depths of a cave with nothing but her lightsaber. As she navigates the dark environment she learns she may not be alone.

CLICK HERE – and see full info and more pics of the film!

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PLEASE LOVE ME FOREVER, 27min, France, Fantasy/Romance
Directed by Holy Fatma

In a surreal world, Lili, a 14-year-old albino, lives alone with her mother Claudie (50) who over-protects her from the outside world. Obsessed with her own appearance; Claudie regularly replaces aging parts of her face, alone in her operating lab, while Lili dreams of Lyesse, her 16 year-old handsome neighbor. But scared by so much love, Lyesse gently pushes her away. Devastated, she decides to operate his heart to understand why he doesn’t love her…

CLICK HERE – and see full info and more pics of the film!

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The event runs from 7pm to 9:10pm on Thursday July 27, 2017

Continuing to showcase the best of short films from around the world, while maintaining our audience feedback format moderated by Amanda Lomonaco. Showcasing a festival twice a month in 2017!

Director BIO: Cameo Wood

Short Film Playing at the July 27, 2017 FANTASY FEEDBACK Film Festival

Director Biography

Cameo headshot

“Real Artists” is her first narrative film. Cameo had a long career in technology, working in voice over IP and computer security, and then studied artificial intelligence and neuroscience in university. She also opened up the first urban beekeeping store in America. Filmmaking has been her lifelong desire, and she is thrilled to have the chance to make movies.

Director Statement

What might it be like to have your main creative collaborator be an Artificial Intelligence? Already, biometric data is used for neuromarketing in many different contexts. Film plots are influenced by how test audiences respond during key points in the film. The creation of entertainment is no longer passed on guesswork. Enjoyment is quantitatively measured.

We are envisioning a near future when its more efficient to have an artificial intelligence create a film and test it on a human audience than it is to support artistic invention from concept through execution. Where ‘taste’ is not yet captured by code and still has to be measured by a human’s reactions. This is a story of what it means to be human. It is a question posed of what humanity is when creativity is in the realm of an artificial intelligence, leaving us to consume and react. Through science-fiction, we focus on rapidly-approaching question of ethics in neuromarketing and the power of corporations to craft products in response to our biometric responses. We are also telling a story of a young woman’s dream, and how she might hold the key to the future of storytelling.

Sophia seems closer to a superhero; she’s a genius editor, hard working, beautiful and cries at the sight of her favorite cartoon. She is confident in her artistic taste, and she is willing to do whatever it takes to make the best movies the world has ever seen. But young people are rebellious – and Sophia was willing to risk her career and reputation in order to create what she knew was a superior edit to her favorite film. Sophia is on fire with her youth: and this is how she resists Palladon’s enticements toward an artistic life of being merely a barometer of taste.

We all love products designed especially for us. We willingly forgo our privacy for sake of being a part of the new, the trendy, what’s hot. But when young people like Sophia are confronted with ultimatums, their actions — sometimes heroic, sometimes tragic — can rewrite many stories, not just their own.

Cameo Wood, San Francisco, September 2016

FANTASY Short Screenplay – SWITCHMAN by Henry Leeker

Genre: Adventure, Sci-Fi, Fantasy

A small boy in a rural town with no authority figures questions the bizarre system in place where justice & judgement is carried out by a forest-dwelling creature known as the “Switchman.”

CAST LIST:

Narrator: Elizabeth Rose Morriss
Switchman: Brian Carleton
Tony: Jordy Kieto
Melissa: Andrea Meister
Children: Konstantina Mantelos
McCabe: Anthony Botelho
George: Jack Comerford
*****

Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Camera Operator: Kierston Drier

Editor: John Johnson

Casting Director: Sean Ballantyne

HIGHLIGHTS, WINNERS & VIDEOS: June 2017 SCI-FI FEEDBACK Film Festival

AUDIENCE FESTIVAL AWARDS

Best Film: CRADLE

Best Performances: 1950 AD

Best Cinematography: ON SUNDAY

Best Effects: ON SUNDAY

Best Music: The music from THE EARTH SURVIVAL CODE

Take a look at the Audience Feedback Videos from the LA Sci-Fi Film Festival. Some of the best short films in the world today were showcased.

festival posterCRADLE, 11min, USA, Sci-Fi/Thriller
WATCH Audience FEEDBACK
festival poster1950 DA, 7min, France, Sci-Fi/Fantasy
WATCH Audience FEEDBACK
festival posterON SUNDAY, 6min, UK, Sci-Fi/Drama
WATCH Audience FEEDBACK
festival posterTHE EARTH SURVIVAL CODE, 10min, China, Sci-Fi/Fantasy
WATCH Audience FEEDBACK
 
festival posterMISIEK AND EVE FROM OUTER SPACE, 2min, Poland, Animation/Comedy
WATCH Audience FEEDBACK

The SCI-FI LOS ANGELES JUNE 2017 FEEDBACK Film Festival gave our audiences the best of sci-fi short movies from around the world.

The theme of the festival was “OUTER LIMITS”.

Every film showcased what about a situation that was about an ‘outside being’ other than earth.

Sci-Fi short films sure have made a great leap into superstardom in the 21st century!

In the last 15 years I’ve watched over 10,000 short films from over 100 countries around the world, being a part of the film festival scene. Only in the last 5 years have I witnessed a gigantic surge in Sci-Fi shorts being made. The technology just wasn’t there for this medium 10-15 year ago: cost-wise and accessibility of the actual tools needed to pull off the desires for the film. So filmmakers working in the short film world just didn’t go there.

But now technology is there for almost everyone.

During the moderation of the film ON SUNDAY, an audience member asked the question of how much the budget was for the film. Without giving anything away, there is a “big” moment near the end of the film, not to mention it having what my programmers call “high production value”. It’s a common question that people ask and I never know how to answer it. And I get why they are asking it because most likely they are filmmakers themselves and want to make a film like that.

The art of short film for me is to be a magician with the budget. 99.5% of shorts made have a limited budget. So it’s what you can do with it that counts. ON SUNDAY for example, if made on a Hollywood produced format with their production schedule, union crew costs, CGI costs etc…, would be about a $100,000 budget. And I can guarantee that this filmmaker didn’t spend 100K on this film. But it sure looks like one.

THE EARTH SURVIVAL CODE, a film out of China, has gun fights, choreographed fight scenes, a transportation of an alien from a spaceship to earth, and much more. That film I’m sure was also done on a small budget even though it looks to be another 100K budgeted film.

What I’m getting at is these filmmakers know how to use today’s technology in the context of their film. Before they even start the development stage, they know what they are able to do. So they can work within their expertise and accessibility. Then go from there. And that is why the Sci-Fi genre has taken off in the short film market. There are AMAZING films being made – and we were lucky to show 5 films from 5 different countries to our Los Angeles audience.

See you at the festivals.

– Matthew Toffolo

Audience FEEDBACK: CRADLE, 11min, USA, Sci-Fi/Thriller

Played at the June 2017 Sci-Fi FEEDBACK Film Festival in Los Angeles.

CRADLE, 11min, USA, Sci-Fi/Thriller
Directed by David Holechek

A man risks his body and mind to right a terrible wrong.

Project Links

Film Type: Short
Genres: Sci-Fi, Drama, Thriller
Runtime: 11 minutes 20 seconds
Completion Date: September 1, 2016
Production Budget: 20,000 USD
Country of Origin: United States
Film Language: English
Shooting Format: RED
Aspect Ratio: 2.35:1
Film Color: Color

May 2017 SCI-FI/FANTASY Stories, Screenplay, and Short Films

Submit your Fantasy/Sci-Fi Screenplay & Film to the Festival: http://fantasyscififestival.com

 

ACTORNOVEL Transcript: OUTBREAK MUTINY
May 2017 Reading
by Jay Sandlin

ACTORTV BEST Scene – INFINITY’S EDGE
May 2017 Reading
by Anthony M. Dionisio
ACTORACTION BEST Scene – A SECRET JOURNEY
May 2017 Reading
by Gary A. Piazza

ACTORDRAMA BEST Scene – ALL OF THEIR COLORS
May 2017 Reading
by Leonidas Vyzas Asimakopoulos
ACTORACTION BEST Scene – FIEND
May 2017 Reading
by Andrew Samuelsen

ACTORFANTASY BEST Scene – BRAD ACTUALLY
May 2017 Reading
by Jeremy Bonali & Alex Quinn
ACTORNOVEL Transcript: ELLA: A STEPMUMS TALE
May 2017 Reading
by J.L. Higgs

ACTORTHRILLER BEST Scene – TASTE MY REVENGE
May 2017 Reading
by Dimitri Devyatkin
ACTORSCI-FI BEST Scene – AMERICAN INDIAN UPRISING
May 2017 Reading
by Allen Cody

ACTOR1st SCENE Screenplay – TRISKEL
May 2017 Reading
by Brian K. Palmer
ACTORSCI-FI SHORT Screenplay – THE VOLUNTEER
May 2017 Reading
by Christopher Michaels

ACTORTV SPEC of SUPERNATURAL
May 2017 Reading
by Bonnie Bonaduce
festival posterSEEDS, 12min, UK, Thriller/Sci-Fi
WATCH Audience FEEDBACK
festival posterEAT ME!, 20min, Bulgaria, Drama/Musical
WATCH Audience FEEDBACK

****

Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com
Casting Director: Sean Ballantyne
Editor: John Johnson

writing CONTEST1st CHAPTER or FULL NOVEL CONTEST
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FANTASY Best Scene Reading of AMERICAN INDIAN UPRISING by Allen Cody

Winning Screenplay – AMERICAN INDIAN UPRISING
Written by Allen Cody

CAST LIST:

NARRATOR – Julian Ford
PRESCOTT – Allan Brunet
LOOKOUT – Mandip Brar
SHAKESPEARE – Sean Ballantyne
NEIL – Zane O’Connor

SYNOPSIS:

Genre: Fantasy, Western, Adventure, Horror

A band of long–dead American Indians warriors and their war ponies rise from massacre sites to reclaim the bones of their brothers stolen by archeologists and return them to their rightful graves.

Get to know the writer:

What is your screenplay about?

A ragged band of long-dead American Indians warriors and their war ponies rise from massacre sites into the present day to reclaim the bones of their brothers stolen by archeologists and return them to their rightful graves.

What genres does your screenplay fall under?

Action/adventure/fantasy/si-fi/surreal/horror

Why should this screenplay be made into a movie?

This story has domestic and international appeal to those who desire to watch a visual action-packed ballad about American Indians. This is also a movie for those who seek a moving story about overcoming hardship. The underdog American Indians for once win the ultimate battle and regain cultural pride.

With recent interest in Native American culture on the rise, there has been no movie, since “Dancing With Wolves” (a financial box office domestic and intertnational success) that has so eloquently captured their spirit and their struggle.

The story gives much deserved respect to Native Americans (and all Indiginous People) who have had their land stolen, their graves desecrated, their human rights violated, their families masacred, their language and culture denied for over 500 years.

How would you describe this script in two words?

Righting wrongs

What movie have you seen the most times in your life?

I have a lot of favorite movies: Shawshank Redemption. Die Hard. Lethal Weapon. Handcock. Natural Born Killers.

How long have you been working on this screenplay?

I have lived, sweated and worked with Dakota, Lakota and Navajo tribes for many years and gathered bits and pieces that grew into this story. The Lakota say “If it is in your heart, it is in your blood.” Native Americans are in my heart and in my blood.

How many stories have you written?

Twelve screenplays, one sale, one work for hire, two options, two books written and illustrated (McGraw Hill), many magazine features, many short stories, fiction, non-fiction, and creative non-fiction.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

“Turn me on” by Nora Jones. And all of Bob Dylan.

What obstacles did you face to finish this screenplay?

Ensuring the story did justice to the true plight of the American Indian experience, while telling it in an entertaining, fun, fast-moving, visually-impactful way.

My challenge was to tell the story from the American Indian perspective. Therefore, I had to break molds to tell it fully and accurately. The true hero of the story is the Army of American Indians in their battle to regain ancestral pride.

Ultimately, the story became an hybrid of action, adventure, fantasy, horror and sci-fi.

Apart from writing, what else are you passionate about?

Sailing, the Ocean and the blue blue Sky.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

A fantasy Si-Fi Festival… Fantasy Si-fi almost exactly describes the genre of American Indian Uprising.

Thank you for the feedback. Many good points.

*****

Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Editor: John Johnson

Camera Operator: Kierston Drier

Casting Director: Sean Ballantyne


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