DOCTOR WHO Season 10 – What the critics are saying about it!!!!

93% of professional critics like it.

The Doctor is back on the big screen when Fathom Events and BBC Worldwide bring Doctor Who: Season 10 Premiere to select cinemas nationwide for a two-night event, on Monday, April 17 and Wednesday, April 19. This special event also features exclusive bonus content, including the first episode of the spin-off series, “Class”. Come together with fellow fans to celebrate the return of Doctor Who to the airwaves! Join Peter Capaldi (World War Z, In the Loop) as the Doctor, Matt Lucas (Bridesmaids, Alice in Wonderland) as Nardole, and Pearl Mackie (Svengali) as the new Companion, Bill.

Despite both Moffat and Capaldi now being able to see the exit sign in the distance, we can only hope that the rest of the series proves to be the hurrah we all hope for.

April 5, 2017 | Full Review…

With Mackie’s Bill and Lucas’ lovable cyborg Nardole on board, Capaldi’s final season in the TARDIS has the chance to start fresh … that’s the true beauty of Doctor Who. And we can’t wait to see where the show takes us next.

April 17, 2017 | Full Review…

Mackie is an energetic and enjoyable addition to the show, and her down-to-Earth character brings a healthy skepticism to all things Doctor-related.

April 17, 2017 | Full Review…

I like Capaldi in the role, his dark Scottish humor; I like that he’s an older Doctor, in the early tradition of the show.

April 14, 2017 | Full Review…

Pearl Mackie’s Bill occasionally falls victim to Moffat’s tendency to hammer a point home, but she’s probably the most human companion since Donna Noble (or perhaps Rory).

April 16, 2017 | Full Review…
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Fantasy TV PILOT of the Day: WILD MIND 1, by Fujio Torikai

Title: WILD MIND 1

Written by: Fujio Torikai

Type: TV PILOT

Genre: Sci-Fi, Fantasy, Drama

Logline: In the year 20XX,a town regarded as a so-called “paradise for the disabled” is realized through the use of a cell-phone application. However,the origins of that town, planed in 2015, lay in the misappropriation of a large-scale scientific experiment.

Interested in this logline, please email us at info@wildsound.ca and we’ll forward your email to the writer.

Have a logline? Submit your logline to the monthly logline contest.

2016 Fantasy/Sci-Fi Screenplays

Submit your Fantasy/Sci-Fi Screenplay & Film to the Festival: http://fantasyscififestival.com

Watch the best of Fantasy/Sci-Fi in 2016:

 

ACTORSHORT Screenplay – LITTLE GIRL BRIDE
December 2016 Reading
Written by Kris Pajarito
ACTORSHORT Screenplay – CARE AND CLEANING
December 2016 Reading
Written by Robin Kenny
ACTORBEST SCENE Screenplay – LIVING PROOF
December 2016 Reading
Written by Herschel Medlin
ACTORBEST SCENE Screenplay – ESCAPE FROM PLAIN MIDDLE
December 2016 Reading
Written by Carolyn Reese
ACTORBEST SCENE TV Screenplay – TALATRICS
December 2016 Reading
Written by Cecilia Copeland
ACTORSHORT Screenplay – THE PINE CONE
December 2016 Reading
Written by Dimitri Devyatkin
ACTORSHORT Screenplay – THE LAW OF PUNCTUALITY
December 2016 Reading
Written by Joy Lin
ACTORSHORT Screenplay – MYSTIC MORNING
December 2016 Reading
Written by Craig Fleming
ACTORSHORT Screenplay – BUREAUCRACY
December 2016 Reading
Written by Sharmini Kumar
ACTORSHORT Screenplay – BARGAIN
December 2016 Reading
Written by David Brin
ACTORBEST SCENE Screenplay – TINK
December 2016 Reading
Written by Edward Ybarra
ACTORBEST SCENE Screenplay – UP FROM THE DEPTHS: THE RISE OF MEGALODON
December 2016 Reading
Written by William F. Molnar
ACTORTV PILOT Screenplay – CHILDREN OF CHAOS
November 2016 Reading
Written by Kara Dueck
ACTORTV PILOT Screenplay – THE MYSTERIOUS LIFE OF MADELEINE
November 2016 Reading
Written by Eve Noel
ACTORTV PILOT BEST Scene Screenplay – ARMS OF MORPHEUS
November 2016 Reading
Written by John Christopher Thomas
ACTORSHORT Screenplay (Under 5pg.) – BRAZILIAN FANTASY
November 2016 Reading
Written by Melissa L White
ACTORSHORT Story – THE QUANDARY
November 2016 Reading
Written by Ann Barlow

ACTOR1st SCENE Screenplay – THE BURIED MOON AND HER DAUGHTER
ACTORLONG SHORT Screenplay – NOTE TO SELF
October 2016 Reading
Written by Humayun Mirza

ACTORBEST SCENE Screenplay – THE ACCIDENTAL ANGEL
October 2016 Reading
Written by Oren Weitz

ACTORSHORT Screenplay – THE STRUGGLE
October 2016 Reading
Written by Janice Kennedy

ACTORFEATURE Screenplay: CHARLOTTE SOMETIMES
October 2016 Reading
Written by Cate Carson

ACTORTV PILOT Screenplay: WILLOWWOOD
October 2016 Reading
Written by Christopher Locke

ACTORBEST SCENE Screenplay: LOONATOONA
September 2016 Reading
Written by Shockadelic

ACTOR1st SCENE Screenplay: OLD BONES
September 2016 Reading
Written by Dermott Hayes

ACTORFEATURE Screenplay: LUCIDAE
September 2016 Reading
Written by Jacqueline Marett

ACTORTV PILOT Screenplay – OYMPUS RISING
September 2016 Reading
Written by C M Landrus

ACTORTV PILOT Screenplay – OYMPUS RISING
September 2016 Reading
Written by C M Landrus

ACTORFEATURE Screenplay: LUCIDAE
September 2016 Reading
Written by Jacqueline Marett

ACTORTV PILOT Screenplay – RICK & MORTY “The Rickgotiator”
August 2016 Reading
Written by David Cryan

ACTORFAN FICTION Screenplay – THE MASK OF LEIA
August 2016 Reading
Written by Ian Wilson

ACTORFEATURE Screenplay
August 2016 Reading
Written by Matthew O’Connell

ACTORSHORT Screenplay – SOMETHING UNDER THE BED
August 2016 Reading
Written by Scott Pittock

ACTORSHORT Screenplay – DRAC’S CAFE
August 2016 Reading
Written by Scot Walker

ACTORBEST SCENE Screenplay – ELAN VITAL
July 2016 Reading
Written by Maroun Rached

ACTORFAN FICTION Screenplay – STAR TREK: DEEP SPACE NINE
July 2016 Reading
Written by Jennifer Renner

ACTORTV PILOT Screenplay – THE SPECTRAL CITY
July 2016 Reading
Written by Arthur Vincie

ACTORBEST SCENE Screenplay – ELAN VITAL
July 2016 Reading
Written by Maroun Rached

ACTORFEATURE Screenplay – THE CHARLOTTETOWN JACKHAMMER
July 2016 Reading
Written by Marc Lalonde

ACTORTV PILOT Screenplay – THE SPECTRAL CITY
July 2016 Reading
Written by Arthur Vincie

ACTORFAN FICTION Screenplay – STAR TREK: DEEP SPACE NINE
July 2016 Reading
Written by Jennifer Renner

ACTOR1st SCENE Screenplay – NINE SCARS
July 2016 Reading
Written by Kelly Crawford

ACTORBest Scene Screenplay – FOR ALL MANKIND
June 2016 Reading
Written by Matthew O’Connell

ACTORTV PILOT Screenplay – WILD MAGIC
June 2016 Reading
Written by Julie Nichols

ACTORBest Scene Screenplay – QUEST FOR MIHTE LUGH
June 2016 Reading
Written by Ray Whittinger

ACTOR1st Scene Screenplay – STARBOUND
June 2016 Reading
Written by Alex A. Kecskes
ACTORFAN FICTION Screenplay – SPACE 2099 (based on Space 1999)
June 2016 Reading
Written by Kevin D Story

ACTORTV PILOT Screenplay – THE REAPER: REBELLION “AFTERLIFE”
May 2016 Reading
Written by Mark S. MacDonald, Darsey Meredith

ACTORFan Fiction TV Screenplay – POWER (Green Lantern)
May 2016 Reading
Written by Hisonni Johnson

ACTORFan Fiction Feature Screenplay – STAR WARS Episode I: THE REDEMPTION OF SKYWALKER
May 2016 Reading
Written by Brian O’Flaherty

ACTOR1st Scene Screenplay – PUPPETS
May 2016 Reading
Written by James Griffiths

ACTORShort Screenplay – SCENARIO 957
May 2016 Reading
Written by Amy E. Jones

ACTORFan Fiction Screenplay – TWILIGHT ZONE “Punchline”
April 2016 Reading
Written by Jaime Medina

ACTORShort Screenplay Screenplay – WALL IN THE GARDEN
April 2016 Reading
Written by Thorsten Loos

ACTORStage Play Reading – BEYOND THE GLASS
March 2016 Reading
Written by Francis DiClemente

ACTOR1st Scene Screenplay – ELISSA OF TYRE
March 2016 Reading
Written by Alan Mehanna

ACTORBest Scene Screenplay – MISPRINTS
February 2016 Reading
Written by Adam Preston

ACTORTV PILOT Screenplay – MINDWALKER
February 2016 Reading
Written by Thorsten Loos

ACTORFeature Screenplay – HENRIETTA’S ODYSSEY
February 2016 Reading
Written by L.R. Whittinger

ACTORShort Screenplay – TURN ON DESIRE
February 2016 Reading
Written by Lauren Hoekstra

ACTOR1st Scene Screenplay – THE SHOT
February 2016 Reading
Written by Michael DeMattia

ACTORShort Screenplay – ANIMAL SKINS
February 2016 Reading
Written by Bryan Ott

ACTOR1st Scene -PURGATORY
January 2016 Reading
Written by Alex A. Kecskes

ACTOR1st Scene -GUNNISON
January 2016 Reading
Written by Daniel Duane
ACTORTV PILOT – LACIE BIDWELL
January 2016 Reading
Written by Jameel Khan

ACTORBEST SCENE – ABSYNTHIA
January 2016 Reading
Written by Seregon O’Dassey

 

 

 

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Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com
Casting Director: Sean Ballantyne
Editor: John Johnson

TV PILOT Reading of CHILDREN OF CHAOS by Kara Dueck

CHILDREN OF CHAOS TV Pilot
Written by Kara Dueck
CAST LIST:NARRATOR – Sean Ballantyne
MICHELLE – Mallory Palmer
LIRA – Kelci Stephenson
CRAIG – Hugh Ritchie
PENNY – Angelica Alejandro
TOM – Kheon Clarke
PAUL – Julian Ford
RICHARD – Peter Nelson

SYNOPSIS:

Genre: Fantasy, Action, Adventure, Drama, Family

Lira, an immortal witch from a quasi-Hellenic dimension, travels to 21st century South Dakota in search of a dark magical object, which could destroy the universe. In her search, she meets Michelle, a teenage witch-hopeful, whose mother mysteriously died when she was a child. Finally having proof of magic’s existence, Michelle helps Lira evade any unwanted attention, hoping to find answers once and for all.

Get to know the writer:

What is your TV Pilot screenplay about?

It’s about friendship, loyalty, family, greed, and the quest for truth and goodness. Set against the backdrop of ancient gods and their eternal cosmic battle, worlds will collide, gods will clash, heroes will fall, and all before lunch period. When we first meet our leading ladies, Lira is a powerful being from a realm of magic, mystery, and adventure, and Michelle is a seemingly ordinary girl stuck in an ordinary world, whose biggest concern is getting through high school in one piece. A chance encounter will change their lives forever and lead them down a path that neither one could have predicted.

Why should this screenplay be made into a TV show?

It should be made into a TV show, because it’s fun, adventurous, and would be very visually and emotionally appealing to the YA audience it’s geared for. This demographic is constantly looking for something new and fresh, and this show has a combination of unique elements similar to other successful shows like Roswell and Once Upon a Time, but on a slightly darker, more mature level, which I feel would apply to the current zeitgeist given the popularity of TV content like The Vampire Diaries, The 100, and Pretty Little Liars.

How would you describe this script in two words?

Emotional and thrilling

What TV show do you keep watching over and over again?

Buffy the Vampire Slayer

How long have you been working on this screenplay?

Two years.

How many stories have you written?

Too many to count. I’ve been writing stories since I learned how to put pen to paper.

What motivated you to write this screenplay?

I had a dream about my main characters and that’s where the story evolved from. I felt that the visuals my unconscious brain had imagined needed to be realized into words.

What obstacles did you face to finish this screenplay?

It was difficult to find people who were willing to read my script, who knew enough about script writing and storytelling to give me good feedback.

Apart from writing, what else are you passionate about?

Dancing and musical theatre. My secret wish is to write a musical one day.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I felt this was a pretty great story and a solid pilot, and I wanted to see if anyone else agreed. I also liked the idea of getting feedback regardless of whether your script is picked. I had nothing to lose by entering.

The Initial feedback was great. I think it helped tighten my script in some places and made me think of different ways to bring out exposition.

Any advice or tips you’d like to pass on to other writers?

If it’s your dream, you have to go for it.

***

Director/Producer: Matthew Toffolo: http://www.matthewtoffolo.com

Casting Director: Sean Ballantyne

Editor: John Johnson


TV CONTESTSUBMIT your Best Scene Screenplay or TV SPEC Script
Voted #1 TV Contest in North America.
SCREENPLAY CONTESTSUBMIT your Best Scene Screenplay or FEATURE Script
FULL FEEDBACK on all entries. Get your script performed
SCREENPLAY CONTESTFIRST SCENE (first 10pgs) SCREENPLAY CONTEST
Submit the first stages of your film and get full feedback!

October 2016 Fantasy/Sci-Fi Films/Screenplays/Stories

Submit your Fantasy/Sci-Fi Screenplay & Film to the Festival:http://fantasyscififestival.com

Watch the best of Fantasy/Sci-Fi in October 2016:

ACTORFEATURE Screenplay: CHARLOTTE SOMETIMES
October 2016 Reading
Written by Cate Carson

ACTORTV PILOT Screenplay: WILLOWWOOD
October 2016 Reading
Written by Christopher Locke


festival posterBARROW, 15min., Australia, Crime/Mystery
WATCH Audience FEEDBACK


festival posterMAYDAY, 13min. France, Horror/Fantasy
WATCH Audience FEEDBACK

ACTORBEST SCENE Screenplay – THE ACCIDENTAL ANGEL
October 2016 Reading
Written by Oren Weitz

ACTORSHORT Screenplay – THE STRUGGLE
October 2016 Reading
Written by Janice Kennedy


festival posterTENGU: BIRDMAN OF THE MOUNTAINS, 8min., UK, Action/Fantasy
WATCH Audience FEEDBACK

ACTORLONG SHORT Screenplay – NOTE TO SELF
October 2016 Reading
Written by Humayun Mirza

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Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com
Casting Director: Sean Ballantyne
Editor: John Johnson

TV Pilot Screenplay – OLYMPUS RISING by C M Landrus

Watch the September 2016 Winning TV PILOT Screenplay.

OLYMPUS RISING by C M  Landrus

CAST LIST:

NARRATOR – Julian Ford
ASHER – Nick Hendrick Wicht
WILDHOFF – Sean Ballantyne
MICAH – Kheon Clarke
RYKER – Donald Molnar
DIANA – Alicia Payne
TEGAN – Katelyn Varadi

Get to know the writer:

What is your TV Pilot screenplay about?

The gods of Mt. Olympus awaken as human teenagers to struggle with the immortal bonds of kinship while reclaiming their rightful places as rulers of humankind.

Why should this screenplay be made into a TV show?

As a high concept genre show that employs Greek mythology as a backdrop to tell human stories, Olympus Rising is highly marketable and will have no problems finding an audience. It is also set up to generate many seasons of adventure and potential spinoffs. With a diverse cast that speaks to the modern era, the characters of Olympus Rising will keep audiences hooked with their relatable struggles loosely veiled under a fantasy umbrella.

How would you describe this script in two words?

Trauma-informed fantasy

What TV show do you keep watching over and over again?

The Twilight Zone (the original)

How long have you been working on this screenplay?

As of fall 2016, Olympus Rising will be three years in the works.

How many stories have you written?

I wrote my first short story when I was nine years old. After that I lost count.

What motivated you to write this screenplay?

In 2013 I crashed and burn on a major project that I had been preparing for for over six months. Frustrated and depressed, I shut myself away in my little apartment and binged on zinfandel, dark chocolate, The Vampire Diaries, Supernatural, and Heroes. Then I decided to write my own TV pilot where the protagonist was a total loser. I wanted to do something that was fantasy but didn’t want vampires, werewolves, or witches. I decided to use Greek mythology because, even though it’s prevalent in storytelling, I hadn’t seen anything that really used it directly in a while. The line, “Olympus rising” just popped in my head, and I started to develop ideas from that. Within a few days I had an outline, and it took about two or three days to pound out the first draft.

What obstacles did you face to finish this screenplay?

Compared to other writing projects, Olympus Rising, has gone really smoothly. I had a pretty clear idea of what I wanted from the beginning and have had tons of great feedback from people I trust. Every time I got feedback, I would take the time to rewrite it and tried to be flexible yet true to the characters and stories I had envisioned, and I didn’t worry about the time it would take me. I just set my own timelines by which I wanted to have this project polished.

One of the issues that kept coming up was making sure my protagonist was strong enough in the pilot to lead the whole show even though it has an ensemble cast, and in the pilot, Asher shares much of the main story with Micah. Plus Asher is supposed to be kind of a loser (by unfair societal standards), and it can be hard to make a loser engaging and strong.

Apart from writing, what else are you passionate about?

I love learning languages and practicing martial arts.

What influenced you to enter the festival? What were your
feelings on the initial feedback you received?

I wanted to start submitting my pilot to festivals just to get some initial feedback and see how it played out to give me a better idea of what to do next. I also wanted to start small and work my way up to bigger festivals. Fantasy Sci-fi seemed like a very supportive group that would enjoy reading a fantasy pilot. The feedback was encouraging.

Any advice or tips you’d like to pass on to other writers?

I’m not a big fan of advice, especially from other people. Just do what works best for you, and don’t let other people (including me) tell you how it should be done.

*****

Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Editor: John Johnson

Casting Director: Sean Ballatyne

Read the best of NEW SCI-FI TV SHOW Loglines:

Read the best of NEW FANTASY TV SHOW Loglines: 

CLICK the links and read the pitches:

BILLOW 1, by Vashaun Baker

PRIVATES, by Tara Hall

THE BOW STREET RUNNERS, by Travis Hodges

AT THE END OF THE WORLD, by Chris Ramos

FOUNDING FATHERS, by Barbara Miller

WEIRD IS NORMAL, by Ajax Georgandasl

TECH, by Doyle Barnett

STATUS UNKNOWN, by Andrew Cohen

 

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