SCI-FI Best Scene Reading of A Brief Word on Hypersleep Studies: Chiliagon by Joshua Ashburn

The French Toast Scene

Two gifted young scientists must build a computer capable of creating believable dreams in hypersleep as part of a top secret colonization plan before their former friend now nemesis squashes their chances. Almost 400 years later, Captain Martin must escape a nightmare of her own.

CAST LIST:

Babs: Norma Dunphy
Narrator: Esther Thibault
Pierce: Dan Cristofori
James : Isaiah Kolundzic

Submit via FilmFreeway, the exclusive way our festival accepts submissions.:

 

****

Producer/Director: Matthew Toffolo http://www.matthewtoffolo.com

Festival Moderators: Kierston Drier, Shepsut Wilson
Casting Director: Sean Ballantyne
Editor: Kimberly Villarruel

Festival Directors: Mary Cox, Rachel Elder, Natasha Levy

Camera Operators: John Johnson, Isabal Cupryn, Aser Santos Jr., Zack Arch

SCI-FI Best Scene – THE HUNT FOR CHUCK BERRY by Robert David Simpson

In 1970,a NASA satellite,’Voyager 1′,was shot into space and in 2017 lands on planet X68 in Andromeda star system. Small humanoids,living there, go ecstatic apon hearing a recorded version of Chuck Berry music, found on a record within the satellite. They decide to head out to find this human and bring him home to teach them more! The hunt starts!

CAST LIST:

Taro: Kevin Gabel

Supreme Leader: Allen Michael Brunet

Narrator: Regan Brown

Nori: Ariel Brooker

Yoo: Georgia Grant

Uzu: Hartley O. Gyamfi

******

Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier

Casting Director: Sean Ballantyne

Editor: Kimberly Villarruel

Camera Op: Mary Cox

SCI-FI Best Scene: MAJOR TOM AND THE ALIEN GIRL by Mirka Kettunen

This is a short romcom sci-fi about Tom Major. He keeps waiting ‘the Mothership’ to come pick him up. In order to survive life on Earth he sees his life through the eyes of the his alias – the astronaut Major Tom. Apparently he’s not the only one who believes he’s stranded here. One day he meets Sigourney, aka Scotty, who’s also waiting to get beamed up.

Narration – Justin Hay
Tom – 14 – Hartley O. Gyamfi
Scotty – 18 – Esther Rogers

******

Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier

Casting Director: Sean Ballantyne

Editor: Kimberly Villarruel

Camera Op: Mary Cox

Sci-Fi/Fantasy Festival Testimonial – August 27 2018

My feelings were as mixed as the initial feedback I received putting stress on the good and the bad aspects of the script with pinpoint accuracy. So, I felt a bit disappointed by my results, but determined to take their advice to improve my script to the best. Now, I couldn’t miss this festival providing such an exceptional showcase for my work.

Submit via FilmFreeway, the exclusive way our festival accepts submissions.:

Genre: Sci-Fi, Adventure

The story starts on planet Stellanor in the Orion galaxy at a crucial moment in intergalactical politics, against a background of mounting tension due to a catastrophic shortage of natural resources, since the drought-stricken planets are ready to invade the fertile ones — unless an Intergalactic Alliance is sealed.

CAST LIST:

Narrator: John Fray
Destiny: Val Cole
Ethan: Nick Wicht

SCI-FI BEST SCENE Reading: THE CUT, by Christopher Kerr

Genre: Sci-Fi, Fantasy

Two young men must find their passage through the canals of post-apocalyptic London, to peace and freedom, in the “promised land” beyond: Bristol.

CAST LIST:

Junior: Allan Michael Brunet
Alex: Salma Dharsee
Narrator: Elizabeth Rose Morriss
Spencer: Hugh Ritchie
Jessica: Courtney Keir
Toovey: Zazu Oke

Get to know the writer:

 1. What is your screenplay about?

Two young men have to find passage through the canals of post-apocalyptic London, to peace and freedom in the “promised land” beyond – Bristol.

Ostensibly a coming of age tale, in the guise of a zombie, road-trip, buddy-movie, canal tour; a genre much under-represented in mainstream cinema to date.

2. What genres does your screenplay fall under?

Sci-fi / black comedy – somewhat akin to A BOY AND HIS DOG (1975) in tone.

3. Why should this screenplay be made into a movie?

Though an engaging story on its own merit – balancing hubris and heart as it does – this script was always penned, in part, as a love-letter to the hidden beauty of London. It’s a landscape and pace one has to see on-screen to truly appreciate. To this end, the screenplay has wonderful cinematic potential in the hands of a suitably talented / adventurous crew.

4. How would you describe this script in two words?

Subversive Indie.

5. What movie have you seen the most times in your life?

When I was a kid, my Dad used to get a half-day off work on Wednesdays. This meant that once I’d finished school, and walked the dog, we’d sometimes have time for a movie together before Mum got in. We must have watched OUTLAND (1981) countless times, then; simultaneously enjoying it for everything it does right in its Sci-fi adaptation of the Western, whilst lambasting the science myths it perpetuates, and Sean’s typical post-MARNIE performance. Perhaps having a mouthful of scenery, still, explains away the accent, Sean? Anyway, it is an absolute gem of a film and well worth checking out.

6. How long have you been working on this screenplay?

I deliberately set out to pen an indie-budget Feature – one I could potentially even self-finance somewhere down the road a bit! – and gave myself a month to achieve it. Researched. Plotted. Written. Edited: 4 weeks.

7. How many stories have you written?

Depends on *your* definition of a story! I like to make every e-mail typed, anecdote told, Tweet sent, or Facebook comment posted, a story in its own right. Well, maybe not Twitter – that forum is, really, more just the local crazy person shouting into the void, isn’t it?

Discounting those particular narratives – as well as some ghost-writing I’ve done, and script-consultation work? – I have something in the order of a dozen stories I consider ‘complete’; with another 3 or 4 on my development slate at the moment. The dozen range from original Feature, to TV pilot (plus series outline), to Short Film, One-Act Play, and even some Spec TV episodes.

8. What is your favorite song? (Or, what song have you listened to the most times in your life?)

Checking against Spotify, and that seems to think “Revolution” by The Score. Don’t get me wrong, it’s a splendid track and all, but I fear this statistic may be somewhat skewed. (I wrote a Rick & Morty spec recently which referenced that track in a musical montage… so it’s been looping away on repeat in the background.)

Always query statistics!

9. What obstacles did you face to finish this screenplay?

Portraying the mechanics of canal travel necessary for the final Act to work in an economical way, as well as capturing the essence of specific key geographic locations en-route, for a reader who may (or may not) be familiar with some aspects already – all the while avoiding heavy exposition – was a bit of a challenge. Not so sure I entirely achieved it, in fact!

Written with a practical Indie budget in mind, I was also very conscious of ‘bang-for-the-buck’. This led to a couple of potential sub-plots being dropped (though they remain viable as a tie-in, sequel, or in a higher-budget redraft).

10. Apart from writing, what else are you passionate about?

I remain fascinated by, and occasionally even active in, aviation; with a particular passion for rotary-wing aircraft in the experimental classes.

11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

I’m a big fan of FilmFreeway, and use it – rather than my own website these days – as my primary online folio host. Super-easy to find interesting festivals / competitions through it, and submitting projects into those is as simple as a couple of clicks. I’ve recommended the platform not only to fellow writers, but also some Directors and festival organisers I know.

12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

Sci-fi, innit? Though I’m versed working in other genres, sci-fi is where my own original works tend to naturally gravitate. Via FilmFreeway it was easy to find the Fantasy Sci-Fi Festival, and submit my project. Ultimately, I was hoping to rally a bit of PR, some industry recognition, maybe even an extra award under my belt for the CV; it all helps when it comes to selling a spec, landing a commission, or a foot-in-the-door for a staff gig.

With regard to feedback as a service, I feel in general it can be something of a double-edged sword. Primarily, of course, feedback is a subjective thing: one man’s trash is another man’s treasure. Furthermore, it’s very easy for feedback to deflect unique, experimental, or even subversive projects back into just routine, formulaic, fare. With this in mind, I didn’t order any additional feedback, and only took the default offered. Happily, I can report that what I did receive was fair, professional – even somewhat encouraging. Thanks for that!

 

******

Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Matthew Toffolo

Casting Director: Sean Ballantyne

Editor: Kimberly Villarruel

Camera Op: Mary Cox

 

SCI-FI BEST SCENE Reading: M – DEMON KILLER, by Mark Hammond

 

Genre: Sci-Fi, Fantasy

A young Asian waitress discovers she is the last in a long line of Demon Killers when a billionaire/sorcerer opens a portal to Hell under City Hall in New York City. Local Native American demons hunt in the tunnels and, even more strangely, powerful Chinese warrior demons are sent to slaughter her before she can stop the invasion from hell. M is a New York City waitress but this may be asking too much.

CAST LIST:

Liana: Marissa Otto
Louise Ricci: Courtney Keir
Narrator: Elizabeth Rose Morriss
Det. DeAngelo: Allan Michael Brunet
Emma: Salma Dharsee

Get to know the writer:

 1. What is your screenplay about?

A young waitress discovers that she is the last in an ancient line of Demon Killers and Hell Gate Closers, as a portal to hell opens under City Hall. Worse, legend holds that this warrior of the Light always dies. M is a New York City waitress, but this may be asking too much.

2. What genres does your screenplay fall under?

Urban Fantasy, Horror, Supernatural Action, Female Hero, Asian Martial Arts

3. Why should this screenplay be made into a movie?

M’s journey of blood and loss to become a demon killer and fulfill her destiny mirrors every person’s battle to overcome their own fears to fully become everything they can be in the world. Also this story has big international appeal with an Asian heroine and her loyal hell hound, Native American demons and classical Chinese demons, plus settings in New York City and China. The next two stories are completed: M in the Empire of the Dead – set in NYC, China, Paris and its catacombs; M and the Last Hell gate – set in NYC, China and the High Plateau of Tibet.

4. How would you describe this script in two words?

International Franchise

5. What movie have you seen the most times in your life?

Ghost in the Shell, Dir. Mamoru Oshii, writer Shirow Masamune

6. How long have you been working on this screenplay?

4yrs+ for the script and the 3 ‘M’ books

7. How many stories have you written?

Many. M – Demon Killer is based on the first book of the completed M in the Demon Realm Trilogy avail. Amazon/Kindle. Assorted shorts, pitches, screenplays and stories.

8. What is your favorite song? (Or, what song have you listened to the most times in your life?)

RISE by Origa from the Ghost in the Shell series theme. Japanese composer, lyrics in Russian and English, sung by a Russian soprano.

9. What obstacles did you face to finish this screenplay?

Other than life, the city, and my job, it was me. I was afraid about not doing justice to these great characters, particularly M, who showed up to have their amazing story told. I had to overcome my harsh inner critic, let the characters show me and just write it anyway.

10. Apart from writing, what else are you passionate about?

Family, friends, mythology, religion, the supernatural, action movies like Deadpool, Underworld; early films like Nosferatu, Vampyr and Metropolis; classic Japanese horror movies like Ringu and Ju-on. Korean films such as Old Boy and Sympathy for Mr. Vengeance; noir detective fiction, cyber-punk fiction, urban fantasy; working out and classical dance. Currently, I’m crazy about Lawrence Kasdan’s script for Raiders of the Lost Ark. Caffeine, sugar and carbs are an abiding passion.

11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

FilmFreeway makes submissions effortless.

12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

That it’s specifically a Fantasy festival and international in scope. The feedback I received was incredibly thoughtful and clear.
******

Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Matthew Toffolo

Casting Director: Sean Ballantyne

Editor: Kimberly Villarruel

Camera Op: Mary Cox

SCI-FI Best Scene Screenplay – WILD MIND, by Fujio Torikai

Genre: Sci-Fi, Thriller

In the year 20XX, a town regarded as a so-called “paradise for the disabled” is realized through the use of a cell-phone application. However the origins of that town lay in the misappropriation of a large-scale scientific experiment.

CAST LIST:

Man: Dan Fox
Kate: Cassandra Sirois
Narrator: Val Cole
Patrick: Fabio Abreu
Watson: James Murray

Get to know the writer:

 1. What is your screenplay about?

1In the year 20XX,a town regarded as a so-called”paradise for the disabled” is realized through the use of a cell-phone application.However,the origins of that town,planed in 2017,lay in the misappropriation of a large-scale scientific experiment

2. What genres does your screenplay fall under?

Drama

3. Why should this screenplay be made into a movie?

There is no especially deep meaning.

4. How would you describe this script in two words?

Near-future,cell-phone

5. What movie have you seen the most times in your life?

Taxi driver

6. How long have you been working on this screenplay?

One hour.

7. How many stories have you written?

Three

8. What is your favorite song? (Or, what song have you listened to the most times in your life?)

Everybody Wants To Rule The World

9. What obstacles did you face to finish this screenplay?

Languages

10. Apart from writing, what else are you passionate about?

Music.

11. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

High evaluation.I was very instructive.

******

Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Matthew Toffolo

Casting Director: Sean Ballantyne

Editor: Kimberly Villarruel

Camera Op: Mary Cox